The Analysis Of Psychopathology In Alfred Hitchcock Movies

  • Modesto Leite Rolim Neto Universidade Federal do Cariri
  • Jaíne Dantas Peixoto Faculty of Medicine of Juazeiro do Norte – Estácio FMJ, Juazeiro do Norte, Ceará, Brazil
  • Felipe Viana Pereira Lobo Faculty of Medicine of Juazeiro do Norte – Estácio FMJ, Juazeiro do Norte, Ceará, Brazil
  • Saulo Giovanni Castor Albuquerque Faculty of Medicine of Juazeiro do Norte – Estácio FMJ, Juazeiro do Norte, Ceará, Brazil
  • Sylvia Rannyelle Teixeira Lima Faculty of Medicine of Juazeiro do Norte – Estácio FMJ, Juazeiro do Norte, Ceará, Brazil
  • Indira Ravena Pereira Alves Fernandes Macedo Faculty of Medicine of Juazeiro do Norte – Estácio FMJ, Juazeiro do Norte, Ceará, Brazil
  • Victor Couto da Silveira Araújo Faculty of Medicine of Juazeiro do Norte – Estácio FMJ, Juazeiro do Norte, Ceará, Brazil
  • Kezzyo Medeiros Lacerda Faculty of Medicine of Juazeiro do Norte – Estácio FMJ, Juazeiro do Norte, Ceará, Brazil
DOI: https://doi.org/10.3823/2582

Abstract

INTRODUCTION: During the 20th century, psychiatry began to use the cinema as didactic-pedagogical help resource in the study of psychopathology. The Films of Alfred Hitchcock usually present as main themes mental disorders and the psychoanalysis. However, these films were not created with academic goal and it is natural that there are distortions.


OBJECTIVES: To evaluate the importance of Hitchcock films as didactic resource in the study of psychopathology, identify possible distortions and seek to justify them on the basis of the historical context.


METHODOLOGY: The abstracts of the 53 feature-length films of the director were read and deleted the movies that did not have the mental disorder as a central theme; they were dumb; or those who had only the antisocial personality disorder. It was performed a narrative review.


RESULTS: Six films were selected through an intentional sampling. When he speaks of the Heart (1945) shows a picture of amnesia with dissociative fugue. The psychoanalysis is represented in a very superficial. The Indiscreet (1954) describes a voyeuristic disorder and should not be indicated. The Wrong Man (1956) depicts a severe depressive episode with psychotic symptoms. A body that falls (1958) presents the themes of specific phobia of height and the acute stress disorder. Psychosis (1960) represents a framework of dissociative identity disorder, but the scenes of violence may cause a negative view of the mentally ill. Marnie (1964) has as themes the specific phobia and sexual aversion disorder. The psychoanalysis is presented in distorted form and caricature.


CONCLUSION: The films directed by Alfred Hitchcock can be useful in the study of psychiatry and should be considered the distortions that can worsen the stigma.

References

Oliva, V. H. S., Z, D. F., & L, F. N. (2010). O Retrato da Psiquiatria Pelos Cinemas Norte- americano e Brasileiro. Revista Psiquiatria Clínica, 37(2), 89-95. Recuperado de http://www.scielo.br/pdf/rpc/v37n2/a11v37n2.pdf

Butler, L. D., & P, O. (2004). Spellbound: dissociation in the Movies. Journal of Trauma & Dissociation, 5(2), 61-87. Recuperado de https://doi.org/10.1300/J229v05n02_04

Fernandez, J. L., & C, E. (2010). Cinema e Loucura: conhecendo os Transtornos Mentais Através dos Filmes. Porto Alegre: Artmed.

Damjanovic, A., V, O., J, A. A., & J, M. (2009). Psychiatry and Movies. Psychiatria Danumbina, 21(2), 230-235. Recuperad em https://hrcak.srce.hr/39897

Stout, P. A., V, J., & J, N. A. (2004). Images of Mental Illness in the Media: identifying Gaps in the Research. Schizophrenia Bulletin, 30(3), 543-561. Recuperado de https://doi.org/10.1093/oxfordjournals.schbul.a007099

Byrne, P. Why Psychiatrists Should Watch Films (or What has Cinema Ever Done for Psychiatry?). Advances in Psychiatric Treatment, 15(4), 286-296, 2009. Recuperado de https://doi.org/10.1192/apt.bp.107.005306

Gabbard, G. O., & G, K. (1999). Psychiatry and the Cinema. (2a ed) Whashigton: American Psychiatric Press, Inc.

American Psychiatric Association. (2014). Manual Diagnóstico e Estatístico de Transtornos Mentais: DSM-5. (5ª ed) Porto Alegre: Artmed.

Sadock, B. J., & Sadock, V. A. (2007). Compêndio de Psiquiatria: Ciência do Comportamento e Psiquiatria Clínica. (9ª ed.) Porto Alegre: Artmed.

Spiegel, D., L, F. R., L. R., V, E., S, D., & F, M. (2013). Dissociative Disorders in DSM-5. Annual Review of Clinical Psychology, 9(1), 299-326. Recuperado em https://doi.org/10.1146/annurev-clinpsy-050212-185531

Alfred, H. (Direção). (1945). Spellbound. [Filme cinematográfico]. Culver City: Selznick International Pictures.

Miguel, E. C., G, V., & G, W. F. (2011). Clínica psiquiátrica: a visão do departamento do instituto de psiquiatria do HCFMUSP. São Paulo: Manole.

Louzã, M. R. L., Neto., & Elkis, H. (2007). Psiquiatria Básica. (2a ed.) Porto Alegre: Artmed.

Zimerman, D. E. (2004). Manual de técnica psicanalítica: uma re-visão. Porto Alegre: Artmed.

Truffaut, F., & S, H. (2004). Hitchcock/Truffaut: entrevistas. (4a ed.). (R. F. d’Aguiar, Trad.). São Paulo: Companhia das Letras. tradução

Cheniaux, E. (2006). Os Sonhos: integrando as Visões Psicanalítica e Neurocientífica. Revista de Psiquiatria do Rio Grande do Sul, 28(2), 169-177. Recuperado de http://dx.doi.org/10.1590/S0101-81082006000200009

Albuquerque, S. G. C. (2011). Cinema Enfeitiçado [Weblog]. Fluxo do Pensamento. Recuperado em 18 de Setembro, 2015, de http://fluxodopensamento.com/2011/08/cinema-enfeiticado/

Alfred, H. (Direção). (1954). Rear Window. [Filme cinematográfico]. Los Angeles: Paramount Pictures.

Langstrom, N. (2010). The DSM Diagnostic Criteria for Exhibitionism, Voyeurism, and Frotteurism. Archives of Sexual Behavior, 39(2), 317-324. Recuperado de https://doi.org/10.1007/s10508-009-9577-4
Wilson, N., H, D., H, T., G, A., & H, M. (2014). Background Report: Full list of 503 movies considered for the study on “Madness at the Movies: Prioritised Movies for Self-Directed Learning by Medical Students”. University of Otago. Recuperado em http://www.otago.ac.nz/wellington/otago072475.pdf
Alfred, H. (Direção). (1956). The wrong Man. [Filme cinematográfico]. Burbank: Warner Bros.

Porto, J. A. (1999). Conceito e diagnóstico. Revista Brasileira de Psiquiatria, 21(1), 06-11. Recuperado em http://dx.doi.org/10.1590/S1516-44461999000500003

Antunes, E. H., B, L. H. S., & P, L. M. F. (2002). Psiquiatria Loucura e Arte: Fragmentos da História Brasileira. São Paulo: EDUSP.

Byrne, P. (2012). Vertigo - Psychiatry in the Movies. The British Journal of Psychiatry, 201(5), 341-341. Recuperado em https://doi.org/10.1192/bjp.bp.112.119321

Alfred, H. (Direção). (1958). Vertigo. [Filme cinematográfico] Los Angeles: Paramount Pictures.

Choy, Y., F, A. J., & L, J. D. (2007). Treatment of Specific Phobia in Adults. Clinical Psychology Review, 27(3), 266-286. Recuperado em https://doi.org/10.1016/j.cpr.2006.10.002

Knapp, P. (2004). Terapia Cognitiva-Comportamental na Prática Psiquiátrica. Porto Alegre: Artmed.

Figueira, I., & M, M. (2003). Diagnóstico do Transtorno de Estresse Pós-Traumático. Revista Brasileira de Psiquiatria, 25(1), 12-16. Recuperado em http://dx.doi.org/10.1590/S1516-44462003000500004

Alfred, H. (Direção). (1960). Psycho. [Filme cinematográfico]. Los Angeles: Paramount Pictures.

Ross, C. A. (2006). Dissociative identity disorder. Current Psychosis & Therapeutics Reports, 4(3), 112-116. Recuperado em https://doi.org/10.1007/BF02629332

Rebello, S. (2013). Alfred Hitchcock e os bastidores de psicose. Rio de Janeiro: Intrínseca.

Pontes, C. B. (2006). Hospital Psiquiátrico: seis séculos de história. Fortaleza: Edições Demócrito Rocha.

Alfred, H. (Direção). (1964). Marnie. [Filme cinematográfico]. Los Angeles: Universal.

American Psychiatric Association. (2012). Manual Diagnóstico e Estatístico de Transtornos Mentais: DSM-IV-TR. (4a ed.) Porto Alegre: Artmed.

Abdo, C. H. N., & F, H. J. (2006). Aspectos Diagnóstico e Terapêuticos das Disfunções Sexuais Femininas. Revista de psiquiatria clínica, 33(3), 162-167. Recuperado em http://dx.doi.org/10.1590/S0101-60832006000300006

Ribeiro, B., M, A. T., & M, I. (2013). Disfunção Sexual Feminina em Idade Reprodutiva - prevalência e fatores associados. Revista Portuguesa de Medicina Geral e Familiar, 29(1), 16-24. Recuperado em http://www.scielo.mec.pt/pdf/rpmgf/v29n1/v29n1a04.pdf
Published
2018-10-11
How to Cite
ROLIM NETO, Modesto Leite et al. The Analysis Of Psychopathology In Alfred Hitchcock Movies. International Archives of Medicine, [S.l.], v. 11, oct. 2018. ISSN 1755-7682. Available at: <http://imedicalsociety.org/ojs/index.php/iam/article/view/2850>. Date accessed: 12 dec. 2018. doi: https://doi.org/10.3823/2582.
Citation Formats
Issue
Vol 11 (2018)
Section
Psychology
Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright policies & self-archiving

We are a RoMEO green journal.

Author's Pre-print: green tick  author can archive pre-print (ie pre-refereeing)

Author's Post-print: green tick  author can archive post-print (ie final draft post-refereeing)

Publisher's Version/PDF: green tick  author can archive publisher's version/PDF

 

Copyright ownership

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access and Benefits of Publishing Open Access).

This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.

Articles are published Under License of Creative Commons Attribution 4.0 License ©

Copyright Policy

Most read articles by the same author(s)